Death Comes for the Archbishop
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There's not much of a plot to Death Comes for the Archbishop, which may be what I was looking for the first time I read it. Cheri described it really well it in her Top 10 post as "a stack of paintings, showing the same subjects (person and landscape) in different moods, lighting, times." It's just a quiet portrait of a truly amazing place and a good man who does the best he can with the difficult task he's given – to reform the fractured and corrupt diocese and reinvigorate the faith among the Mexicans and Native Americans who occupy the New Mexican territory.
I appreciated the respect with which she wrote about the native cultures, her sympathetic characters, and her wonderful descriptions of the desert landscape. But what I loved most in this re-reading was the way Cather's simple, matter-of-fact style and the vast, epic setting gave me a feeling of serenity. That feeling is what made it such a pleasure to read.
1 Comments:
Yes. You nailed it, Lisa. What makes Cather's works root themselves in you is the serenity that runs through all her writing like a deep and quiet river.
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